JIVESHOT GALLERY PRINTS
Time : At Bethpage
"The trophy is not the destination .It is simply proof that someone loved the work more than the reward. More hours than anyone counted. More mornings than anyone witnessed. More swings taken in silence, for no one, for nothing — except the pursuit of something perfect.
A Story About the Image
I didn't go to Bethpage Black to make a photograph.
I went because I love golf. Because I love what the game means — what it asks of the people who give themselves to it. I went because my friend and I got on a train in Maryland, rode it to New York, took the Long Island Expressway out to Queens, and walked through a back gate at five-thirty in the morning with nowhere else in the world we would have rather been.
Twenty-one miles on foot. Thirty-six hours from door to door. No assignment. Just two golf nerds in the middle of something historic.
Early in the morning, I found a spot at the cobblestone bridge near the first green. The world was still waking up. I watched Scottie, Bryson, Tommy, Rory — the whole constellation of this generation's greatness — come through one by one. I called my son to tell him what I was seeing. I was pacing back and forth across the road because on one side you could watch the players emerge from the tunnel and climb toward the second green, and on the other side you could watch them sink their putts on one. I didn't want to miss either.
The first group came through and I realized I hadn't gotten the shot I wanted. The one of them walking the pathway toward the second green. The light wasn't ready. The moment wasn't ready.
So I waited.
When Rory and Tommy came through with their entourage — the team, the caddies, the whole procession of Team Europe moving like something inevitable — the sun broke from behind the trees.
Just like that.
It laid a golden rim across the entire pathway. Around Tommy. Around Rory.
I've spent a lot of time watching Rory McIlroy and Tommy Fleetwood. More time than I'd probably admit with not the same results… their swings, their footwork, the way they carry themselves between shots. The way Rory walks tells you everything about what he has given to this game. There's no hesitation in it. No doubt. Just the quiet confidence of a man who has answered the same question ten thousand times and knows exactly what the answer is.
How much are you willing to give?
The range at dawn. The sand trap in the rain. The swing built from the ground up. They fell in love with the work. And the work, over years and decades of quiet dedication, turned them into the kind of men who could carry a continent on their backs on the biggest stage the game has.
The trophy is proof of that. But it isn't the point.
The pursuit is the point.
Perfection is the point.
I reached out to Bethpage after the tournament and told them I had a photograph that belonged in their clubhouse.
They agreed.
Today, that image lives in the Ryder Cup championship display at the front of the clubhouse at Bethpage Black — next to the trophy, next to the signed team bag, next to the moments that will define that course's legacy for a generation. Every golfer who walks through that door will see it. Every person who has ever stood on a first tee with something to prove and a prayer in their chest will walk past it.
Someday I’ll walk in to apply a round with my kids and they will think it’s cool. Right before they ask for some ice cream or a ball marker.
The weight of time. The weight of dedication. The weight of loving something so completely that you give it everything you have — knowing the payoff might not be a trophy.
Knowing the payoff is something better.
Knowing that if you have put in enough time, and given enough of yourself to the work —
the moment will come.
And when it does, the light will be perfect.
This print is produced on museum archival paper and released as a strictly limited edition.
Frequently Asked Questions
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What is TIME?
TIME is a limited edition fine art archival print by Washington DC photographer Jeremy Ives of Jiveshot Media. The image captures Rory McIlroy and Tommy Fleetwood walking the golden pathway at Bethpage Black Golf Course during the 2025 Ryder Cup. The print is part of the permanent Ryder Cup championship display at the Bethpage Black clubhouse, where it hangs alongside the Ryder Cup trophy and the signed Team Europe bag.
What sizes are available?
TIME is available in four limited edition sizes:
8×10 — Edition of 20
10×13 — Edition of 15
16×20 — Edition of 5
24×36 — Edition of 2
For sizes larger than 24×36, custom orders are available via direct inquiry. Once an edition sells out, it will not be reprinted at that size.
What is the print made on?
Every print is produced on museum archival paper using professional giclée printing with archival pigment inks. Museum archival paper is the same standard used by fine art galleries and institutions worldwide. Under proper display conditions, archival prints are rated to last 100 years or more without fading or degradation.
Is the print signed?
Yes. Every print in the TIME edition is hand signed by photographer Jeremy Ives and includes a numbered Certificate of Authenticity documenting the edition size, print number, paper type, and date of production. Your certificate is what ties your specific print to the edition permanently.
What does the Certificate of Authenticity include?
Each Certificate of Authenticity includes:
Title of the work
Print size and edition number
Total edition size for that format
Paper type and archival specifications
Photographer signature
Date of production
This is your provenance document. It's what makes the print a collectible rather than just a photograph.
How long will it take to receive my print?
Every print is made to order. Once your order is placed, your print ships within 3–5 business days. You will receive tracking information as soon as your order ships.
Do you ship internationally?
Yes. TIME ships worldwide. International shipping times vary by destination. Please note that international orders may be subject to customs duties and import taxes determined by your country — these are the responsibility of the buyer.
How is the print packaged for shipping?
Smaller prints (8×10 and 10×13) ship flat between rigid archival boards inside a protective mailer to ensure they arrive in perfect condition. Larger prints (16×20, 24×36, and custom sizes) ship rolled in a professional archival mailing tube. Each shipment includes care instructions for unrolling and displaying your print.
Do you offer framing?
Yes. Framed prints are available as an upgrade at checkout. If you'd like to discuss framing options before purchasing, reach out directly and we'll walk you through what works best for each size. A properly framed archival print — especially behind UV-protective glass — will protect your investment and make an immediate statement on any wall.
Can I order a custom size larger than 24×36?
Yes. Custom sizes above 24×36 are available by direct inquiry only. Reach out via the contact form with your desired dimensions and we'll discuss production timeline, pricing, and fulfillment. Custom orders are produced individually and treated as one-of-a-kind commissions.
What is your return policy?
All sales are final. Because every print is made to order and individually signed, we do not accept returns. If your print arrives damaged in transit, please photograph the packaging and the damage immediately upon opening and contact us within 48 hours. We will make it right.
I saw this print at the Bethpage Black clubhouse. Is this the same image?
Yes. The print in the Ryder Cup championship display at the Bethpage Black clubhouse is TIME by Jeremy Ives of Jiveshot Media. If you were there and felt something standing in front of it — this is how you take it home.
Who is Jeremy Ives?
Jeremy Ives is the founder and creative director of Jiveshot Media, a boutique photography and visual production studio based in Washington DC. His work spans editorial portraiture, brand storytelling, and cultural documentation, with clients including Apple, Spotify, HBO, and the Smithsonian. TIME was made on foot, twenty-one miles into a thirty-six hour day at Bethpage Black, because that's the only way to be in the right place when the light decides to show up.
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